Too far to the right, too far to the left, says the man in the foreground with the camera. Muriel Montini is a heroine, as she looks back on her life, recorded in her films. But because she was careful not to be at the centre, these autobiographical traces may now become the starting point for fiction, for self-fiction. Peripheral heroine. But what to place in the centre? The b... (展開全部)
上一篇:局破塵埃落地只留生死相依
下一篇:《達夫先生的銀幕夢想與追逐》