Roaming through rural France on their tandem bike, young post-punk musicians look for an audience and a name for their band. “Gwendoline,” directed by Joaquim Bayle, is a beautifully shot musical odyssey in 16mm black-and-white film that’s both bleak and lighthearted. On the road desperately seeking fans, or a stage, or a band name, Micka and Pierre come into contact with some ... (展開全部)