2019 年巴黎圣母院火災(zāi)成為電影制片人反思過(guò)去 100 年來(lái)天主教會(huì)機(jī)構(gòu)中所發(fā)生的虛偽和不公正現(xiàn)象的催化劑。 　　通過(guò)大滿貫詩(shī)歌文本的表演以及手繪動(dòng)畫(huà)和真實(shí)鏡頭的混合，創(chuàng)建了一個(gè)元敘事，強(qiáng)調(diào)需要找到超越暴力的解決方案。 　　The fire at Notre Dame Cathedral in 2019 serves as a catalyst for the filmmaker to reflect on the hypocrisies and injustices that have occurred in Catholic Church institutions over the past 100 years. Through the performance of a slam poetry text and a mix of hand-drawn ... (展開(kāi)全部)